Stolen Kisses (1968 dir. Francois Truffaut)

Amidst multiple career changes, fuck buyer conducts some sleuthery.

3/5

Bande à Part (1964 dir. Jean-Luc Godard)

Burglar sacrifices himself so that partner may take over fuck duties with human crime accessory.

3/5

The Wild Child (1970 dir. Francois Truffaut)

God of auteurs stops forest child from acting like a football fan on match day using the alphabet.

3/5

Boudu Saved From Drowning (1932 dir. Jean Renoir)

Obnoxious bum halts the feeling up of slut maid by her bourgeois boss for a few weeks.

3/5

In Praise of Love (Éloge de l’amour) (2001 dir. Jean-Luc Godard)

Numerous off-camera dialogue skits make confusing narrative completely fucking impossible to follow.

2/5

The 400 Blows (Les Quatre Cents Coups) (1959 dir. Francois Truffaut)

Not unlike a black and white Ferris Bueller’s Day Off underpinned by French poverty.

4/5

Le Mépris (1963 dir. Jean-Luc Godard)

Underpinned by lovely score, priceless foul-mouth breaks up with her fuck partner whilst he re-scribbles script.

4/5

Fahrenheit 451 (1966 dir. Francois Truffaut)

French auteur makes colour debut by presenting harrowing dystopian future where oppressed citizens are forced to live in world without WH Smith.

3/5

A Married Woman (Une Femme Mariée) (1964 dir. Jean-Luc Godard)

Intriguing French slut, whilst keeping updated with latest tit science, gets touched up by two fellas in several close-ups.

3/5

Play Time (1967 dir. Jacques Tati)

Idiot sound genius struggles to come to terms with late 60s technology in overly cleansed office complex.

4/5